The Mutilated

THE EURASIAN ('URI') is a towering, muscle-bound figure — skinned and sealed in glossy laminate, every tendon and vein eerily preserved like a walking anatomy chart. His face alone remains partly whole: a striking yin-yang split of Asian and Caucasian features, stitched together in unsettling symmetry. Uri moves with the calm of a predator and the weight of something ancient behind his dead eyes. Once Winston Tanner’s greatest asset — and perhaps his greatest mistake — Uri now stands as a grim testament that some betrayals never stay buried. 

ZEBRA is a tall, spectral figure whose spiraled, skinned flesh winds around his body like a brutal barber pole — raw muscle and pale skin alternating in a grotesque spiral. He stands balanced on his toes, right arm raised, eternally pointing toward some lost truth. This eerie, ritualistic pose and flayed design make him a haunting symbol of what happens when humanity’s search for meaning is twisted beyond recognition.

EXOSKELETO is an imposing cadaver clad in a grotesque, bone-fused exosuit — a brutal second skeleton grafted onto his raw frame like primitive armor. His reinforced skull and horned cranium give him an almost gladiatorial presence among the Mutilated. In the dark, Exo moves with insect-like precision, bone plates scraping like claws. He’s a hulking specter of brute force — proof that even the dead can be reshaped into weapons.

THE BEAUTIFUL MIND sits in a shadowed corner of the gallery — a severed, skinned human head, top of the skull removed to reveal the exposed, crimson brain. Subtle gold symbols are etched into the folds, glinting under glass like a dark crown. Once the vision of another artist long gone, this grotesque relic now stands as Winston Tanner’s cruel centerpiece — a testament to stolen genius and the haunting price of obsession.